What's in a name? A portrait of Small

Small she was in voice only.  But she bore her ironic name with a quiet dignity.  For years she had to share her home with a tiny agile and dominant feline with a prior claim to the digs and the owner and sporting the name of a great American author.   Life can be unfair.  Except that Small outlived her rival companion and for a few years became the only cat in the room.  She seemed to come into her own as a soloist.  This portrait was commissioned posthumously and painted from supplied photos. 

Small, oil on canvas panel, 8" x 8" ©2016

When Thanksgiving falls just a week before a federal election...

the dinner table can become a battleground.  Fortunately for us, we banned all political talk beforehand and the potential melee was forestalled...

Clangor, oil on panel, 18" x 18"

Cacophony, oil on panel, 18" x 18"

at least until after dinner when we relieved any lingering tensions by throwing fallen walnuts at each other in the nearby park.

The egg-run

About once a week I drive to a gorgeous family farm to pick up eggs and greens and various items of seasonal bounty they offer at their farm store.  It's a bucolic place and always makes me feel fortunate to live in an area where the mixed family farm is still flourishing.

The last time I was there this dog and cat were having a standoff.  The dog seemed to want to play, but the cat was having none of it.
 

The cat came back

Paper Mache masks of our dear departed

I guess I'm not quite ready to say goodbye to my cat (who departed this world after twenty years only weeks ago--see his true likeness here).  A friend's Hallowe'en party provided a perfect excuse to re-incarnate him, twice, while trying my hand at paper mache.

This one is the better likeness

I made these masks, which are lightweight, flexible, and easy-to wear, over a form I sculpted from SuperSculpey (a first for me) and aluminum foil using multiple reference photos.  The likenesses are far from exact, but I think the masks conjure him well nonetheless.

For the mask-making, I followed the ingenious techniques explained so comprehensively by Jonni Good on her amazingly informative blog: Ultimate Paper Mache.  Jonni, if you find this post, I've ordered your book, but haven't yet received it and so made use of your excellent YouTube videos.

And, since the carnavalesque masks seemed to represent only one aspect of his personality, I also sculpted a more dignified bust, using a paper mache clay also developed by Jonni Good over a wire and foil armature.  I haven't decided whether to paint him, as the ancient Greeks surely would've, or leave him to yellow slightly (there's some linseed oil in the mix).  I think I like the gravitas of the unpainted version for now.

Cosimo, profile

About face

Aloof

Plotting

Cosimo 1992-2012

My best animal friend for over 20 years.  This portrait is of him as he was in his final month--a still regal centenarian whose personality was, as always, a hundred times bigger than his size. 

Cosimo, oil on panel, 20" x 16"

Cosimo, detail

Cosimo, detail